Brooklyn's Laura Stevenson & The Cans make the good kind of indie rock: the beaming, soaring, cloud-gazing, theatrical kind. A slice of indie-pop heaven with a kitchen-sink mentality: chiming guitars, strings, violins, and Stevenson's soaring voice all stack atop one another, and the results are shimmering, if a bit twee, pop songs.
Brooklyn's Laura Stevenson & The Cans make the good kind of indie rock: the beaming, soaring, cloud-gazing, theatrical kind. A slice of indie-pop heaven with a kitchen-sink mentality: chiming guitars, strings, violins, and Stevenson's soaring voice all stack atop one another, and the results are shimmering, if a bit twee, pop songs. Stevenson spent time in Long Island punk collective Bomb The Music Industry. Second album Sit Resist (out April 26) mixes a whimsical drizzle of accordions and glockenspiels and brass and banjos and other indie accoutrements with a punchy blast of old fashioned guitar muscle.
The group toured with Bomb The Music Industry!, Maps & Atlases, Cults, and Cheap Girls.
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